EXCLUSIVE INTERVIEW with Kylan deGhetaldi, the talented and politically incorrect pianist from California

Sterie Ciumetti
Incorect Politic
October 5, 2022

Foundring is a pianist, singer and songwriter who made a career out of his vocation for music, touring the world with the band Postmodern Jukebox, all until 2020 when the pandemic destroyed his ability to earn a living by singing, as all events were canceled and the plandemic rules did not allow a pureblood (unvaccinated) artist to continue to perform.

Thus it was that Foundring, also known as Kylan deGhetaldi, moved almost completely on the Internet and started live streaming. What is impressive is the artistic direction that he went for as he begun singing about various conspiracies and also mentioned the Jews in his latest album Shut it Down, a famous reference to the meme “Oy Vey, Shut it Down”, line attributed to those who censor the truth on social media networks.

Kylan agreed to sit down with me and do a Politically Incorrect interview.

EXCLUSIVE INTERVIEW with Kylan deGhetaldi, the talented and politically incorrect pianist from California

 

Sterie Ciumetti: Thank you for accepting this interview. If this represents your first contact with Romanian audiences I am honored to host it on Incorect Politic. As an introduction, can you tell us something about yourself, who is Kylan deGhetaldi and what does Foundring mean?

Foundring: Thank you Sterie for this opportunity! I very much appreciate your support and help in bringing my music to a new audience. As for me, I’m a musician from California. I’ve been playing piano for about 30 years, starting around age 6 and then violin at 7.

I specialize in the traditional American genre of music called “ragtime” which was very popular from the years 1895-1915. I fell in love with the music of American composer Scott Joplin when I was around 7 years old, and by 9 I had learned to play The Entertainer and Maple Leaf Rag, two of the most well-known ragtime piano pieces. I also heavily immersed myself in classical music. Some of my favorite composers included Grieg, Rachmaninoff, Bach, Mozart, Beethoven, Liszt, Debussy, Chopin and Tchaikovsky. I was always gifted at “sight-reading” music, or playing through pieces for the first time without ever seeing the music before. By 10 I surpassed my own teachers at this unusual ability, and by 11 I was winning national competitions. Today I can claim to be among the best “sight-readers” on the piano in the world, particularly for ragtime and similar old-timey styles.

When I turned 16 I became disillusioned with my schooling, having spent several years at a small and academically-demanding college preparatory high school. After a few unexpected experiences with psychedelics, I suddenly found myself thrust out of the matrix. To process my newfound perspective on the world I started writing songs. In one of my first songs I dreamed up a line about a fictional character named “Foundring” who suddenly found himself on the “road less traveled” in life, and who forged ahead anyway, uncertain but confident. Over the years, I realized that this “foundring” was me, or at least my “artistic persona” that I had been developing.

The word “foundring” is made up. Some note that it sounds like “found ring,” but I was actually thinking of a lovely word “to founder” which means “to become filled with water and sink, as a ship.” It also can mean “to fail utterly, collapse, or sink below the surface.” In a sense, I felt I was “foundering” by my inability and unwillingness to participate in the path I was being pressured into taking by “society”. I needed to “fall” before rising. And fall I did! In 2005 I dropped out of college and immediately started recording music, producing four of my best albums at the age of 19. In 2007 I created a Youtube channel and decided to play the part as foundring, and so that’s the channel name I chose. I was really into studying the “stride” piano style at the time, a genre that evolved from ragtime and that was popular during the 1920s. My favorite musicians to study then were Fats Waller, Jelly Roll Morton and Art Tatum, and eventually also Oscar Peterson and the “modern” jazz pianist Bill Evans. Keith Jarrett has also been a major influence, and I was honored to perform in Koln, Germany, the location of his most famous concert.

While pursuing my piano passion and working as a gigging musician, I was finally able to study how the world truly works during an era of the internet that was remarkably freer and (and bigger!) than the internet we know of today in 2022. By January 2011, I had written a 200-page “book” summarizing my research on conspiracies, secret societies, the occult and exotic technology.

Meanwhile, my Youtube videos were starting to get more attention. In 2013 I was invited to my first ragtime music festival. It was there I met the legendary ragtime pianist Tom Brier, and we quickly became friends. Tom was one of my most important mentors in my musical development. In 2016 I founded and directed my own ragtime festival in my hometown. That same year I was “discovered” by the well-known pop jazz band Postmodern Jukebox, and I proceeded to tour and perform with PMJ on four continents and over 50 cities over the next few years. After the lockdowns I lost most of my music gigs and decided to finally spend time writing the songs I’ve always wanted to write, and here we are!

S.C.: What do you know about Romania and have you ever traveled here in one of your previous tours?

F: Unfortunately I was never able to go to Romania, but I would LOVE to someday. One of my earliest influences was Hungarian composer Bela Bartok who wrote a series of pieces called “Romanian Folk Dances” based on several traditional tunes from Transylvania. Although I rarely play classical music these days, I still revisit those Romanian Folk Dances because there’s something incredibly timeless and mystical about the melodies and moods they create. I also tried to learn and incorporate the Gypsy violin styles into my repertoire. I made a list of my favorite composers/compositions at age 15, and Romanian composer George Enescu was included.

My favorite part about performing around the world was giving a musical offering to honor the country or culture I was in. For example, I played Rachmaninoff and Tchaikovsky in Russia, and it brought down the house. I played “Finlandia” by Sibelius in Helsinki, and I was treated like a king! I played Grieg in Norway and got the same reaction. I’ll never forget the moment I played “Ma Vlast” by Smetana in Prague, their unofficial anthem…it was the loudest cheer I have ever heard, thousands overjoyed that I was sharing my love of their music right back at them! I was born to do that, and I’ll never forget it.

S.C.: With the covid plandemic you haven’t been live gigging as you were before, the only live performance I’ve seen you do is in a bakery, how would you describe the bakery experience?

F: I love playing in the bakery! I often joke it’s the only ragtime bakery gig in the world! I’ve played in just about every scenario possible as a professional musician: weddings, funerals, bars, fancy restaurants, parties, you name it. But something about the bounciness and cheeriness of ragtime is well suited to a morning caffeinated environment. Since there are no more saloons, I guess bakeries are the next best thing! Also, it’s impossible to just “play for tips” as many businesses require when you try to get gigs these days. Relying on tips as a musician just doesn’t cut it anymore.

The bakery owners are amazing! They would always pay me for my time and as a result I’ve played at that one spot consistently since 2014. Even during the lockdowns, when everyone was fully masked and stuck at home in 2020, I came in and played. I never once wore a mask while playing the piano. The show must go on! Since there was no longer indoor seating in the bakery, I decided to start streaming my performances there and breathe life into the non-existent ragtime streaming scene. Unfortunately, the bakery still is closed for indoor seating in the summer of 2022, so I’ve significantly reduced my time playing there. I hope sanity is restored soon so I can continue in earnest.

S.C.: What got you into ragtime? Why ragtime?

F: My whole family was musical. My dad played piano, my mom played flute and sang in choirs, and my older sister was learning piano too. By around age 7 or 8 I found my dad’s collection of Scott Joplin rags and immediately was hooked. In the 90s there was NO ragtime anywhere so I had no reference point for the music. I just knew I loved it.

I was a pretty hyper-active kid. My family teased me because I wouldn’t stop talking. Playing piano was one of the things that focused my attention, especially sight-reading, which was very demanding. Ragtime requires constant movement and stimulation. The word itself is a play on “ragged time” which refers to the so-called “syncopation” inherent in the style where the emphasis is placed on the “off-beat” instead of ON the beat. This “off-beat” ragged time lends itself well to dancing, which ultimately developed into swing music, jazz and eventually even rock & roll. To be honest, I may have also played ragtime in a past life, if that’s possible! It would make sense, since I picked it up so fast and fell in love with it without even really knowing what it was, and at such a young age.

S.C.: What was the eureka moment or the chain of events that determined you to research things like 9/11 and the USS Liberty attack?

F: I’m very lucky to have been at the perfect age in my own development to experience and process the events of 9/11 as a young American. I was 15 at the time. I was far more interested in girls than politics, but fresh from the hotly contested 2000 election between Al Gore and George W. Bush, my senses were on alert. I was a very skeptical kid. I was raised in an atheist household, but also had been exposed to certain high profile UFO researchers as a young kid, since my grandmother held annual UFO conventions at her home.

Her father, my great-grandfather, was an admiral in the Navy during WWII (he received medals for valor in two major naval battles). He apparently had experience with UFOs and this rubbed off on his daughter. I don’t know much about him other than he was also an influential silver lobbyist in the 50s/60s and was involved in legislation protecting silver from the onslaught of the Federal Reserve. Interestingly, my other great-grandfather was a top (if not “the” top) Freemason in California. And even more curiously, my other great-grandfather was the personal banker for the well-known Harriman family in the US. He witnessed the family, and likely others, commit great financial crimes prior to and during the stock market collapse of 1929. He was paid and threatened into silence, and was forced to relocate to Europe where he raised my grandfather and his other children. My final great-grandfather, from whom I get my name, was Italian…but my family originally comes from Croatia. So I have intrigue in my blood from all sides!

As for 9/11, the event didn’t sit right with me on day one. I immediately was skeptical that the Pentagon’s airspace was breached. I also immediately doubted when the news showed us the face of Osama bin Laden within minutes. I had no reason, at the time, to have developed distrust in the media or the US government. But 9/11 caused it right away. The Iraq/Afghanistan wars cemented that. I watched my schoolmates clamor to enlist for their “patriotic” duty. I was appalled by this. Didn’t we just learn about how stupid and destructive the Vietnam war was?

Shortly after 9/11, maybe in the summer of 2002, someone placed an info pamphlet on my car in the shape of a dollar bill with George W. Bush on the front. It contained a list of conspiracy websites which I promptly visited at my school. I soon was diving through info about the Bush family and their connections to Middle Eastern oil interests and how the Bid Laden family was quietly flown out of the country on 9/11 when everyone else was locked down. A few years later I dropped out of school and I finally had the time to seriously flesh out this research.

I began posting on reddit around 2007, sharing my ragtime youtube videos as well as my research into conspiracy theories. Within a few years, I was one of the most heavily active “conspiracy theorists” on reddit. It was easy to find out which topics I should spend my time researching: which were the ones that brought out the shills. At the time, any mention of Monsanto or GMOs would get you swarmed. Interestingly, I soon noticed the same shills would erupt whenever you mentioned Israel or events like the USS Liberty incident. I never had researched the USS Liberty, and probably wouldn’t have if it wasn’t for the rabid reaction I got from the shills on reddit when I brought it up. I have more to say about my years of experience on reddit, but will save it for another time.

S.C.: How do you think Oy Vey Shut it Down will influence your future professionally?

F: This remains to be seen. I’ve already lost a few very good music opportunities due to my videos. What’s particularly interesting about that is several of these gigs require COVID vaccination (+ boosters) so I wouldn’t be able to take them anyway. I started writing songs like Oy Vey precisely because I had lost all my gigs and knew I had nothing left to lose, if that makes sense. I knew that even if I were to lose potential job opportunities, the vast majority require COVID theater which I refused to participate in anyway.

If anything, “Oy Vey” just proved the vast hypocrisy of YouTube. In 15 years, I had only had one video ever go considerably “viral” that YouTube actually promoted. In 2013 I did a piano mashup of the theme to “Inspector Gadget” with Grieg’s “In the Hall of the Mountain King” and it got to the front page of reddit. It was then featured on the YouTube music page and got 600k views in about 24 hours. In a normal situation, my channel would’ve continued to grow, but YouTube started shutting me down more, even though I was almost exclusively making content for normies.

However, from the beginning I was likely marked. In 2007 I *had* uploaded an antiwar song, in 2008 an anti-banker song, and later that year another song predicting a global “flu/vaccine” holocaust like in the film Children of Men. I was definitely on YouTube’s radar. But my most watched videos were very tame and for all audiences, like when I sung all the elements in the periodic table, or when I wrote a song listing every single capital city and country in the world.

With the continued suppression of my youtube channel, despite several viral videos, in 2014 I tried something new: I made a song called “Foil” as a spoof of the Weird Al parody of “Royals” by Lorde. Clocking in at 9:11, the song covers just about every conspiracy theory I could think of, from CIA drug trafficking to space lasers and even Holocaust denial. This got hit HARD by YouTube and definitely got me on a “list” or a different algorithmic treatment. I’ve analyzed the metrics of my Soundcloud account to all but prove that YouTube removed up to 90% of the actual views on my video “Foil” and froze the view counter at around 7,000 for a very long time. Ever since, I was never able to break more than a few thousand views on any video and my channel growth completely stagnated for many years.

In November 2021, faced with losing all my gigs I’d faithfully had for over a decade, I decided to take a chance and write “You Will Never Be a Woman.” No one had really cared about my “Foil” parody that said 9/11 was “the jewish nation” or similar “Wernher von Braun” from 2015 where I called out the CIA’s global coups. But for some reason, “You Will Never Be a Woman” struck a nerve in a lot of people. I was immediately doxxed by someone who admitted to not even listening to the song. They found one of my jobs (at a church) and threatened them with going to the news for employing a “transphobe”.

The church I worked at, unfortunately, had gone the way of the “progressive” and “woke” like most of coastal California. They demanded I make a statement clarifying the video was satire. I responded that this completely defeats the purpose of satire and that I would do no such thing. It was *very* surreal that I was put into an Inquisition by a “church” for the “sin” of singing about the absurdity of young children taking puberty blockers and changing their gender. That’s clown world for you!

A few weeks later, I was faced with a vaccine/mask ultimatum and ended up losing that job, despite nearly 15 years of dedication. One week later, “You Will Never Be a Woman” randomly went viral on 4chan, and my YouTube channel was flooded with comments for the first time in almost a decade. It was literally the only thing that could elevate my channel out of YouTube purgatory. At that moment I knew I had an opportunity, because all eyes were (temporarily) on me. The internet moves on, and it moves on fast. I knew I had to go big or go home…4chan gave me that renewed spark, so naturally I had to give the people what they wanted! Oy Vey was in many ways a thank you to 4chan, as funny as that sounds.

With “Oy Vey,” for the first time in my 15 years on YouTube, I had a genuine organic viral video. “Inspector Gadget” got 600k views in a day for being on the front page of reddit, but it completely stopped gaining views right away. Oy Vey was blowing up consistently with thousands of views a day. I had never experienced channel growth like I did during December 2021 and January 2022. It took me 15 years to hit 6k subscribers on YouTube, and in about a month I had doubled that to over 12k. And it was all due to Oy Vey, with some help from You Will Never Be a Woman.

On January 5, 2022, on the same day that YouTube updated its Terms of Service, my videos “Oy Vey” and “Pandemic Dance” were removed. Pandemic Dance had been uploaded in September of 2020 and had been pinned to the front of my YouTube channel for a year and a half. Granted, they had completely shadowbanned the video and removed it from search results, but it was a surprise to see it removed, especially so long after uploading it. I wasn’t surprised about Oy Vey. I wrote that song to FORCE youtube’s hand and give me a dose of Streisand Effect. I was tired of YouTube simply hiding my videos and suppressing my channel like cowards.

The song’s title, obviously inspired by ubiquitous 4chan memes, was ALSO a taunt to YouTube, daring them to shut me down. When the song doubled my channel in weeks and had 40k views (that youtube admitted to), they were forced to shut it down. I appealed both videos. Surprisingly, although the Oy Vey appeal was denied, they restored my Pandemic Dance, and it remains pinned to my channel, as I consider it one of my most important songs. Since the removal, I’ve shown that YouTube didn’t actually care about the content of Oy Vey, just that it was going viral. I’ve uploaded three different iterations of the SAME song onto my channel since it was removed for “hate speech”. The original lasted only a couple weeks before being removed. All three reuploads are STILL on Youtube. The only reason they’re still up is they didn’t go “viral” so YouTube doesn’t care. For the record, my YouTube channel is not monetized, which is perhaps why I’m still tolerated and haven’t been completely removed.

To finish, I’ve already lost potential work due to my so-called “anti-semitic” parody videos, and I probably will continue to be effected this way for the rest of my career. Besides, it’s not really worth it to work for someone who doesn’t understand satire, or if they do, instead they’re afraid of the outrage mob. Was it worth it? I hope so. In many respects I sacrificed what may have eventually blossomed into a “respectable” career by taking this path. I suppose that’s the very nature of the “foundring” persona. After all, these are “foundring” songs! (That’s my story judge, and I’m sticking to it!)

But I do feel like I was given no artistic alternative. I reached the top of my field in many respects, and I repeatedly was turned away from actually establishing myself. The only thing I can think of to explain my repeated struggles to have a semblance of a sustainable music career was I simply wasn’t diverse enough to be a main feature in the Era of Woke. I picked a rough time to try to “make it” as a musician for someone like me (a white, straight, male, conspiracy theorist!), but at least it freed me up to seek answers elsewhere and develop myself first before trying to sell out with vapid songs as a undeveloped youth.

S.C.: What is an artist’s role in culture and counter-culture?

F: They are crucial, especially the satirists. In many ways, we are the “court jester” in that we are the only ones who are allowed to make fun of the king to his face. During the first year of Lockdown/COVID hysteria, I was feeling completely uninspired to create. I had already given up on my YouTube channel and had made a video essentially saying as much in November, 2019. But while everyone was getting banned from YouTube, Twitter, reddit etc. for not going along with the “Science”, there were a few comedians and satirists (like JP Sears on YouTube) who were getting away with mocking the whole spectacle.

I was inspired by this and wrote Pandemic Dance and later Election Fraud after the 2020 election coup. It was during this time I realized the profound truth of a concept that would eventually materialize into the line: “there’s certain things you cannot say so sing them all instead.” Like JP who uses satire to mock the establishment, I realized I could just SING the things I normally would be banned for speaking. Since I have training in musical theater and about 20 years of song writing practice, and a command of an instrument, I was in the perfect position to seriously throw my hat into the ring, so I did! There are many talented people out there, but so many have “reputations” they’re afraid to lose. I didn’t have one of those! In that respect I truly admire songwriter Tom Lehrer (and other pioneers like him) who was mocking the establishment in songs during the 50’s and 60’s with no regard to his “reputation” and career.

Sometime after the 60s, music went “soft”. Sure, there was punk and metal, etc., but with a few exceptions, they all sold out eventually. All the counter-culture “revolutionary” artists became part of the machine. Who actually is pushing the boundaries anymore? And not the boundaries of “debauchery” like today’s “left” is obsessed with. The boundaries of “free speech”…in that there should BE no boundaries, that’s the point of free speech. Without that, everything else falls. I grew up in the Wild West of the internet when anything goes. It baffles me to see so many in my generation (and zoomers too) go the other way with respect to free speech. The court jester is the last bastion, the last man standing. When they come for us, watch out.

S.C.: While you might come across as an atheist, you have knowledge of spiritual warfare and occult techniques used to mind control and subvert the masses. Where are you situated spiritually, leaning towards Christianity, New Age or Old Faith?

F: I grew up considering myself an athiest. However, after several profound experiences in my teens, and a few decades of research into the mystical and magical, I realized this was essentially a foolish outlook. After working as an organist in a Christian church for many years, I now feel morally aligned with Christianity, but I don’t openly practice. I do, however, possess an incredible library of occult, hermetic and esoteric religious books that I’ve accumulated through my travels and research.

S.C.: Did you receive any death threats for your politically incorrect songs?

F: Yes, but only for You Will Never Be a Woman. I’d say I got about a couple dozen death threats for that song, and I still get nasty messages every once in a while. However, other than the doxxing and attempt to get me fired, the reaction to YWNBAW was child’s play compared to my time on reddit. Over the years, I racked up untold thousands of threats and abuse, directed at me in comments, threads and private messages. I reported many hundreds of these to the reddit admins, include explicit death threats, and action was almost never taken. There were loads of other genuine truth seekers like me with similar stories. Many were bullied off the site, and it was all coordinated and condoned by the admins.

S.C.: How hard was it to keep yourself pure-blooded in those two years of covid madness? What pressures have you endured?

F: Resisting the jab and COVID hysteria was the easy part. What was hard was watching it happen around me, and knowing what was happening. Through my research, I had realized that vaccines and staged pandemics were THE single most important conspiracy and issue of our time. I knew a COVID-like event was coming. To be honest, I didn’t expect it until the mid-2020’s, but here we are. Although I was still happily getting vaccines as late as 2007, by my daughter’s birth in 2012 I was informed enough to decide to reject all childhood vaccinations. This was an extraordinarily difficult feat in the medically tyrannical environment of California in the 2010s, but I stood up for her and today I’m more confident than ever it was the right decision. To new parents and those who have already started vaccinating their kids, I would strongly recommend considering holding off on further injections. [For our Romanian audiences we recommend the book Vaccination – The Medical Error of the Century.  T.N.]

In December 2019, I was immediately suspicious of the videos of “falling” Chinese people being “leaked” from China. It seemed like pandemic propaganda to me, and to others who were paying attention. I had met “AIDS hoax” researcher Jon Rappoport in 2014, and through his work and others I was very in tune to the timing and nature of these staged pandemics. in By January 2020 I was convinced and I sent out a grave warning on reddit that we were about to be subjected to a massive global psyop. By March I warned my family that the entire COVID episode was being overblown and that it was an assault on our rights. They all ended up getting vaccinated…my siblings, my parents, and many friends. As I mentioned, I lost my main regular gigs for refusing the jab, and I’ve had to turn down many incidental events that have COVID requirements (vax or negative test, both of which I refuse to provide).

Most widespread vaccination campaigns throughout history have resulted in vast amounts of human suffering and death, but none have been “civilization-ending”. I truly hoped, naively, even until the middle of 2021, that this latest would be bad, but perhaps not *devastating*. By around this time last year, I realized this wasn’t going to be the case, and that the damage was going to be far greater than ever before. As a performance artist, I’m trained to be in tune to the emotions and feelings of those around me, and the thought of practically everyone I know, friends and family, willfully damaging and even killing themselves, became a point of significant stress and grief for me that I continue to deal with on a daily basis. That’s been the hardest part. The fact that I essentially gave up seriously pursuing a music career over a decade ago to instead spend my time warning the world what was coming…and I still couldn’t stop it…is something that gnaws at me constantly. I wonder if I would feel better if I knew the true scope of my reach and how many people I set on the right course from my research. But for now, it feels like a lonely and bittersweet vindication. I’m sure folks like David Icke feel similarly frustrated, who screamed there was no SARS-CoV-2 virus from the beginning as well.

S.C.: We see in America that there are a lot of….unusual things happening in society, like having trannies with a lot of make-up and dressed like demons read stories to kindergarten children. How did it come to this and where are you guys heading in the future?

F: It happened shockingly fast. I grew up in California in the 90s and was exposed to a few “LGB” (there was no “T” then) individuals. My parents had friends who were gay, but there was never anything remotely sexual about how they expressed themselves so the concept of their sexuality seemed completely irrelevant to me as a kid, as it should be. I think the shift started, subtly at first, in the post-9/11 America. It was part of the assault that begin in earnest on 9/11 against American culture and values. The “conservatives” at the time were brainwashed with propping up the war machine, while the “liberals” were quietly being primed for a complete woke takeover when handed the proverbial political reigns during the Obama era.

I noticed something was off in 2003. When applying for my co-op dorm residency at the liberal arts college I briefly attended, I saw that there were about a dozen genders to choose from on the application form. I was pretty stunned by this. I wasn’t bothered by it, I just thought it was kind of curious and maybe a little bit stupid, but nothing nefarious. My school was (regrettably) known for two notorious events, a “safer sex night” that promoted degeneracy, and a “drag ball” which was also quite the spectacle. In retrospect, the subversion began to take off on college campuses in the 90s but then it really got going in the 2000s.

We watched Jon Stewart every night in my dorm and mocked Bush and Tucker Carlson and the “neocons” seemingly running the show. I didn’t know any better at the time. After dropping out (escaping) from college, I started listening to Alex Jones and William Cooper. I knew Obama was a wolf in sheep’s clothing when he came on the scene, but I didn’t realize just how much the left had been primed for woke propaganda until post-Occupy Wall Street. It’s well documented that Corporate America took the winds out of the sails of OWS by distracting the left with a dangled carrot of wokeness so they would no longer try to actually form a meaningful resistance. With Trump in 2016, they were able to turn this woke-primed population on overdrive and the NPC horde has moved in lockstep in ways never seen before. Russiagate was a good example of this, and also the Ukraine-Russia conflict. But nothing compares to COVID.

There is also a spiritual component to the “drag” phenomenon and the assault on children. The elites through the ages in most occult traditions strive for androgyny/hermaphroditic personas. By pushing humanity inorganically towards this blurring of genders, we are being forced-initiated into their cult. The mask-wearing is one dehumanizing aspect of this forced initiation. It’s transhumanist, and it’s a very ancient doctrine. There’s nothing wrong with being in touch with one’s feminine and masculine deep within, but they’ve replaced this natural harmony with an unnatural and inhuman assault, which is centered around the abuse and indoctrination of children. This is meant to sustain the cult, since they can’t reproduce naturally. There’s some merit to the theory that some sort of parasitic infection, physical or spiritual, may be responsible to driving humans towards transgenderism, pedophilia, and other aberrant conditions that are being actively pushed and propagandized onto the population.

The US is in many ways the “beacon” of freedom in the world today, and therefore it’s understandable that it’s under the most profound attack from these elements. I’m still shocked at how fast it happened. In only a few years, we went from a dozen genders on a liberal arts college dorm application to politicians and celebrities unable or unwilling to define the word “woman.” This is clearly a sustained attack on the American psyche, and it has international “globohomo” origins.

S.C.: In Romania we have several laws (five) that prevent political opinions being expressed publicly on the penalty of prison, however the peer-pressure is lower than America in that it is quite difficult (so far) to get fired from your job because of your political beliefs. There is a “Governmental Strategy for combating Antisemitism, Xenophobia and Hate-Speech” that is being implemented between 2021-2023 and part of it involves “educating” law enforcement personnel to identify “hate crimes”.  In 2021 a first court sentence for antisemitism was issued when Vasile Zărnescu was sentenced to prison for publishing studies on the holocaust, luckily this sentence was overturned in the appeal.

The US Embassy is supporting this strategy and often promotes the gay agenda in our country. Furthermore, the U.S. State Department published a report in 2021 entitled ROMANIA 2021 INTERNATIONAL RELIGIOUS FREEDOM REPORT in which both Vasile Zărnescu and Incorect Politic are mentioned. How do you, as an American, comment on your country’s culturally subversive and anti-free speech interventionist policies?

F: I find this very interesting! We have the opposite problem here…we have free speech, allegedly, but social pressure is MUCH worse. There are different ways to attack freedom, and it seems different approaches have been taken depending on the region. However, not to make excuses for these actions, I do consider the current iteration of the “US government” to be occupied by a foreign enemy. There’s a case to be made that the “USA” hasn’t been the same since the post-Civil War “corporatization” of the country in the 1870s. There’s also a case to be made that we’ve been “occupied” since the Federal Reserve Act was signed over a century ago. There’s certainly a case to be made that a genuine coup occurred with the assassination of JFK.

But it’s unequivocal that a coup occurred in 2020. Every single action taken by the “US government” since 2020 is that of an occupying (and illegal) foreign power. Our checks and balances (ie the Supreme Court shutting down the attempted country-wide vaccine mandate) have only just barely held us together. That being said, I would say any action taken in 2021 is not representative of a duly sanctioned government of the United States of America. This is a “government” that is currently holding political prisoners pre-trial for merely questioning the 2020 election. Although I’m unfamiliar with his case, I’m relieved to hear that Zărnescu won’t be punished for exercising freedom of speech. I understand the same can’t be said of Germany and other countries in Europe.

I must insist that the majority of America is NOT how we are being misrepresented by the woke mob. Once you leave the coasts, the country is filled to the brim with traditional, hard working patriots who truly just want to live and let live. It may not seem like it now, but we are at the brink of a MAJOR reckoning that is going to blow up in the faces of these corrupt institutions. We are going to see a resurgence and explosion in traditional American values, and nationalistic sentiment worldwide, that haven’t been seen for generations. I remain confident that we will prevail, and the repercussions of this will be felt globally, as the US will regain its rightful position as a bastion of freedom for the world.

S.C.: Now that we have seen Russian sanctions, confiscation of Russian property and freezing of accounts, has USA become a rogue state on the international scene? Are they planning on dragging us all into a war we do not want?

F: The US rogue state took off in earnest with the post-WWII merger of certain totalitarian elements that decided to use America as its bully to enact the global World Order. Eisenhower, once part of the machine, warned about this “military industrial complex” and Kennedy was murdered for resisting it. The Vietnam War was the action of a rogue state, as were both Gulf Wars and the war in Afghanistan. Obama continued the rogue state apparatus in Libya, Syria and elsewhere abroad. Putin was right to call out the US’s crimes against humanity. Let us not absolve the UN and other international interests who are themselves complicit.

The anti-Russian hysteria was simply yet another example of mass formation psychosis that was enhanced during the COVID psyop. With COVID out of steam, and at the peak of the Canadian trucker protests that exposed COVID hypocrisy to the world, they flipped the switch to Ukraine/Russia hysteria for the next “current thing” for the masses. They want world war, but they aren’t going to get it. The plan has always been for them to bring us to our knees with fake pandemics and world wars, but they are behind schedule and we are waking up too fast. They’ve lost control and now they’re getting desperate, so have to be more alert and proactive than ever.

S.C.: When we support the idea of gun rights in Romania, our opponents point to USA and use school shootings as an argument against gun rights. School shootings were not a usual phenomenon a few decades ago, what changed and why do we see so many these days?

F: This is a very complex question. In the 90s, William Cooper predicted a rise in school shootings in his book Behold a Pale Horse. Cooper stated that the right to bear arms in America is the single greatest impediment to the implementation of the New World Order. I thought that was hyperbole at the time, but now I think he was right.

We are definitely creating a generation of disillusioned young men. Social media is irreparably biased towards woman and “diversity”. In a society run by social media, this has left countless young men behind. Irresponsible immigration policies the world over have exacerbated the situation. It doesn’t help that the US is the most heavily medicated country on earth. This begin in the 90s when hyperactive children were dosed with Ritalin and other drugs. Now SSRIs rule the day. The pharmaceutical companies, spiritually wicked brethren of the military industrial complex, set their sights on the US a century ago, and we’ve been enslaved ever since. We abandoned traditional medicine for Rockefeller’s petroleum-based medical cartel ages ago.

The vast majority of these “shootings” are staged events, in that they either are entirely fabricated (drills gone “live”), or they are the result of individuals who are specifically groomed by rogue intelligence agencies and then primed with medication and other MKULTRA methods. The “lone wolf” shooter scenarios are the exception, not the rule. Sandy Hook was a big one. Sandy Hook wasn’t staged to enact gun control. It was staged to demonize conspiracy theorists as a whole, as was evidenced by its use to attack Alex Jones. When “little kids” are involved, the public has zero sympathy for what the state and media deems “inappropriate” speculation, even if the inconsistencies are deafening.

By arranging school “shootings” they can further isolate and demonize the conspiracy theorists, while slowly eroding the two main rights getting in their way, the 1^st and 2^nd amendments (free speech and right to bear arms). Staged school shootings are the perfect tool to take down both. Fortunately, the latest staged debacle in Uvalde is crashing and burning, even though they tried to rush gun control legislation as a response. You’ll know when a shooting ISN’T staged or when something goes wrong, because the event is subsequently memory-holed. The Vegas Shooting is the perfect example of that treatment.

S.C.: We were told that you are the greatest democracy on earth, the most civilized democracy, land of the free, home of the brave, etc. This entire illusion was dispelled when the 2020 presidential elections were stolen like in some third world country. How did this event affect the average Joe’s perception of democracy?

F: I can’t speak for anyone but myself. When the lockdowns were initiated, I realized we were in the middle of the biggest psyop in modern times. I spent less time trying to “wake up the sheeple” on the internet, and more on my community and the mental well-being of my daughter and her friends. While every “adult” was panicked and locked away in my vicinity, I was the one playing outside with my kid and her friends, and this continued for over a year. My daughter and I had to sneak in the back door of our local barber to get haircuts during the shutdowns! I’ll never forget how crazy people went. Many remain in this state of stupor even today, more than two years later.

At the height of the restrictions, even the most diehard lefty around me was complaining how Democrat-run states were going COVID-crazy and they were jealous of the freer Republican states like Florida. Despite this, many of them ended up voting for Biden anyway. I couldn’t understand it. He had very clearly spoken about tightening COVID restrictions…and yet the same people who had complained to me about Democrats and COVID were more than happy to vote for more of the same. I wasn’t about to expect them to be upset at any election “steal.”

For myself, I was stunned. I’m a numbers and patterns guy. I haven’t mentioned it yet, but in my spare time I also study dictionaries and word lists for games like Scrabble. I started playing word games competitively online in 2003, and since that time I practice studying the dictionary just about every morning for about 30 minutes. As a result, I can claim to be one of the fastest anagram solvers in the world, and I hold several records in anagramming, or unscrambling mixed up letters to form words. Now I’m not going to pretend that this translates into a ton of other skills, but what it does mean is I’m good with dealing with large amount of data and filtering out “bad” batches.

After the 2020 election, I immediately began examining the numbers and watching testimonies/hearings etc. I was practically obsessed…it felt like our moment to shine. The conspiracy theorists and patriots of America were born for this moment…an actual election coup in front of our eyes! Admittedly, just about every election has been stolen or manipulated for a century or more, but this one was different. This was clearly a coup initiated by nefarious international interests. I knew that if something wasn’t done to expose the corruption, the US was going to experience an unprecedented decline in prosperity, and that unrest would erupt worldwide. I also knew that COVID hysteria would increase, including the vaccine mandates which were designed to wrench apart families and government institutions like the military, and just about everyone in between.

While simultaneously sounding the alarm about the election fraud, I also warned against the January 6 event as a setup. I used my platform online to warn people from attending, and I even extended that warning to people I knew in real life who were considering making the trip. Despite this, I was banned from reddit, along with many, many other accounts on Twitter and elsewhere (not the least of which was the sitting POTUS at the time). The great irony was just as Trump was banned for “violence” for telling people to go peacefully, when I was banned the only reason given by the reddit admins was “Jan 6”, despite my specific warnings against attending. They denied my appeal and I never looked back.

I finally was compelled to put my experience into a song called “Election Fraud” which detailed the entire sordid affair. Written in early 2021, it specifically mentions exactly what we’re seeing now with Hunter Biden’s iPhone and his the “big guy” selling oil to Chinese companies affiliated with his son. I’ll never forget how crazy those two months after the election were. It was surreal.

I mentioned coastal California as being separate from the rest of the state, and that’s very true. Although less populated, the moment you drive a couple hours inland things change dramatically. It’s still very common to see Trump 2020 or Trump 2024 flags flying, and even Confederate flags (in California!). Common too are “support the State of Jefferson” flags which represent a movement to form a new state in the region.

The vast majority of Americans are fed up with woke politics and the indoctrination of our children. Many weren’t awake until recent events. The BLM insanity was a wake up call for a lot of people, and now the abuse of kids has gone way too far. The pushback against these divisive and destructive attacks will be swift and profound!

S.C.: How many Americans are aware that the US domestic and foreign policy is controlled by Israeli interests?

F: Very few, I would guess. Even “conservative” heroes like DeSantis are champions of Israel. The “liberal” politicians who claim to criticize Israel never do so with any tangible substance. Learning about the USS Liberty attack was a big wake up call for me. I wasn’t taught about it in school, and the fact that there are survivors who maintain the event was staged and covered up at the highest level, and there still hasn’t been accountability, was a big sign something was up. And then my experience with shills on the internet defending Israel (and Monsanto…and vaccines…) for hours on end, 7 days a week…that was another huge red flag. I think it’s also pretty telling that out of hundreds of videos, touching on every controversial subject imaginable, the ONE time I got a video permanently removed with a content violation strike for “hate speech” just so happened to be on a certain topic…

S.C.: The election of Donald Trump boosted the anti-system resistance from America and boosted the morale of patriots around the world, however as time went by it became clear that not all electoral promises have been fulfilled and the dreadful reality was obvious after Jan 6th when he abandoned his supporters and disavowed the events that happened there after he had encouraged people to take back their country following the electoral fraud of the 2020 elections. He gave the Golan Heights to Israel and moved the US embassy to Jerusalem. There are still some people that believe Trump is a savior and a nationalist, he is being worshipped by conservatives while others call him out as being shill and pawn of the Jews. What is your opinion, as an American, about the support he receives from non-Americans around the world? If he was a shill, how come he got elections stolen from him? If he is not a shill, how come he is so pro-Israel and didn’t solve immigration, didn’t outlaw Antifa, didn’t crackdown on paedophilia in schools?

F: Trump reminds me in some ways of the “Mule” from Isaac Asimov’s Foundation series. He perhaps was a genuine wildcard that upended certain timelines and narratives, but ultimately he just became another cog in the system. I think “Trump” represents one of two (or more) warring factions within the US governmental apparatus. Trump’s 2016 victory seems to have been a genuine aberration, but not a complete overhaul of the previous system. It seems the people behind Trump knew the Deep State would only allow them one term, and the preparations began immediately for beyond 2020. I think that’s why very little was actually accomplished during that time, and why Israel and other interests were placated.

However, no new wars were in fact initiated during Trump’s term, a remarkable feat considering all past administrations in the modern era. But the deadly mRNA gene therapy masquerading as a “vaccine” was developed under his watch. However, he didn’t mandate it. And did its speedy release mess up the timeline for a more extended “pandemic” suffering experience? They can only pull such a massive “pandemic” deception once every several generations, like the “Spanish Flu” which was NOT a viral influenza but bacterial infection and poisoning from experimental vaccines combined with aspirin overdose…and “polio” which was DDT and arsenic poisoning from toxic pesticides. Did they “blow their wad” with COVID? Time will tell, as this story is still playing out.

We’re seeing warring factions of elites fighting for power. They have access to exotic technology. Direct energy weaponry was certainly used on 9/11. Fukushima was undoubtedly a deliberate attack on Japan. They are using “mother nature” as an excuse for their destructive behavior. They are lying about “space” and lands beyond the Poles. They are lying to us about our history and our true nature. Trump indeed seems to have provided a significant speed bump in multiple destructive agendas plaguing the world. But he also primed the public to fall deeper into mass formation, egged on by the corrupt Mockingbird media establishment. We are definitely still in the middle of this battle. I choose to believe the “good guys” have already won. That’s the reality I’m picking. The tides have shifted dramatically even since November 2020. I think the world needed to see just how bad things could be if you let the lunatics run the asylum. Unfortunately, there will be more suffering first, but ultimately humanity prevails.

S.C.: Where can our audience subscribe/follow you to keep up to date with your work, as well as support you financially?

F: For now I’m still on YouTube.

But my entire youtube library, included deleted videos, is on my Odysee channel.

I also have a lot of content on BitChute and Rumble.

I stream on Twitch too, though I mostly focus on ragtime and word games.

I’m on Twitter. And Gab.

And also SubscribeStar which is one of the best ways to support me long-term.

S.C.: What is your final message for the Romanian youth that reads this website?

F: Take pride in your culture and your heritage and keep it alive by being a positive contributor and supporter of your community! Pursue your passions but do so while finding a partner and (hopefully) making a family. Becoming a father is by far the greatest thing to ever happen to me, and I take pride knowing I have the incredible opportunity to share my values with my own kin for the next generation. If you don’t start a family, do what you can to create the world you want to see for the next generation. I believe that this is a plan for us all, and it is our duty and birthright to live up to our God-given potentials. Thank you and take care!